In Japanese aesthetics, Wabi-Sabi describes a continuous cycle of becoming and passing away. Temporality and age are inherent in every object and creature and, depending on one’s outlook, may transcend to infinity. How can this be imagined? What goes beyond it? The filmmaker Christoph Schaub starts his very personal journey through time and space in his childhood, when his fascination with sacred buildings began – and his wonder at beginnings and ends.
Architecture helps separate the finite and the infinite. It offers protection from what is boundless, at the same time creating a sense of vastness, the narrator claims. Together with architects and artists he explores the magic of sacred spaces, defined here as far more than church buildings. The artist James Turrell, known, among other things, for his “Skyspaces”, reflects on who owns spirituality – fundamental for this film which follows “spiritual life” in architecture and the fine arts, but also in nature, and literally lifts it over and above the limits of thinking. A slightly floating camera immerses us in other-worldly, somnambulistic images, takes us on a sensual and sensing journey through vast spaces, and guides our eye towards the infinity of the starry sky and the depths of the ocean. Past and present, primeval times and light years, it’s all there.
无限的建筑的短评
本来以为会看到很多建筑细节,结果是讨论人生哲学,因为期待有些许失望,但是也许你会喜欢 —— 晟晨
Zumthor、Märkli、Siza、Turrell,娓娓道来,甚至还闪过了一下Lewerentz的那个墓园。大满足! —— 虎谿三跳
这是谁起的中二译名...看到好多评论说这部都没在讲建筑和设计,真是替导演喊冤啊。Zumthor,Märkli,Siza,Turrell通过分享他们最感性的空间经验和认知乃至形式转化,来给你讲建筑、空间、形式,你咋听不懂呢。尤其Märkli描述那个老教堂的形体和走势,以及边界上各种未知物体的微妙关系和变化及不确定性,不要太精彩。秩序涣散是不可控的过程,而无序是衡量变化的标尺,也是时间的标尺,片尾艺术... —— 北山杉
VIFF. International Village. 在VIFF结束前第二天看的,原本期待很多的关于wabasabi建筑的细讲,不过这个更偏空间,宇宙,还有探讨了很哲学的人类存在问题。怎么说呢,果然不愧是欧洲的电影吗?这种粗糙的look其实真的也很美,因为眼睛无处被吸引,反而整体很和睦的跟自然和环境融为一体。有机会的话,也想去看一看这些设计。 —— 纸躯
草,怎么又是文艺片!(宗教建筑就是anthropocentric,最anthropocentric的就数从躯体尺度中离去,可无根基的形而上学也是不可见的,最后,我们就开始潜水,说外语、读苔藓)(摄、剪、音配合太好了罢,有点可爱哦) —— ie